WEBVTT 00:00.647 --> 00:02.774 -(CLODS VOCALIZING) -(UPBEAT PIANO MUSIC PLAYING) 00:06.236 --> 00:07.237 Hey, Boss. 00:07.320 --> 00:09.572 Sorry. Can't see you until you sign in. 00:09.656 --> 00:13.243 I am in the middle of a big audition for my new musical, 00:13.660 --> 00:17.956 I'm Making This Up As I Go Along: The Story Of Ned. 00:18.039 --> 00:19.874 No, thanks. I don't like musicals. 00:19.958 --> 00:21.543 What? What's not to like? 00:21.626 --> 00:24.963 Everyone bursting into song for no reason. 00:25.046 --> 00:26.464 Singing and dancing! 00:26.548 --> 00:27.757 Craving attention! 00:27.840 --> 00:28.967 Oh, it's my dream come true! 00:29.050 --> 00:30.343 Sorry, that sounds awful to me. 00:30.426 --> 00:33.721 People don't just walk around singing. If they did, it would be totally... 00:33.805 --> 00:36.182 (SINGING) It would be amazing 00:36.641 --> 00:38.268 It's all about commitment, Cornelius. 00:38.351 --> 00:42.814 In the theater, you have to go for it or get out of the way. 00:42.897 --> 00:44.482 One hundred and ten percent. 00:44.566 --> 00:46.317 One hundred and ten percent is impossible. 00:46.401 --> 00:48.444 That mindset is why you don't have a Tony. 00:48.528 --> 00:50.446 -(SIGHS) -Next! 00:53.199 --> 00:54.534 CORNELIUS: It's Earth to Ned! 00:57.120 --> 01:02.500 With tonight's guests, Taye Diggs and Rachel Bloom. 01:02.584 --> 01:07.755 And now, the host who sings in the rain or just in the shower, Ned! 01:10.174 --> 01:11.718 Cornelius! Say it! 01:11.801 --> 01:16.014 Okay. We now present the monologue. 01:18.474 --> 01:22.145 (SINGING) We did the cold open and it was a blast 01:22.228 --> 01:25.523 Next came the titles They happened so fast 01:25.607 --> 01:29.485 And now I'm just singing What's happening? 01:29.569 --> 01:32.906 And you can all sing along 01:32.989 --> 01:34.991 (SINGING) 01:38.995 --> 01:40.163 (CLODS CHITTERING) 01:40.830 --> 01:42.665 (CONTINUES SINGING) 02:04.062 --> 02:07.232 Cornelius, let's bring out our first guest. 02:07.315 --> 02:09.484 -Yes, sir. You know him from... -NED: No, no, no. 02:09.567 --> 02:11.027 -What? -Sing it. 02:11.110 --> 02:12.862 -(FRANK CLOD CHITTERING) -Uh... (SIGHS) 02:12.946 --> 02:13.947 Okay. 02:14.030 --> 02:16.157 (SINGING OFF-KEY) You know him from... 02:16.241 --> 02:19.202 Sorry, sir. It's just too awkward. Can I just do it normally? 02:19.285 --> 02:22.038 Fine. Sorry, Frank. 02:23.373 --> 02:25.959 You know him from his many movie and TV roles, 02:26.042 --> 02:29.295 but he got his start on Broadway in the musical Rent. 02:29.379 --> 02:31.214 It's Taye Diggs! 02:32.757 --> 02:33.883 Whoa. 02:33.967 --> 02:37.262 -Is this part of the play? -Sure. You're on! 02:37.387 --> 02:39.472 Oh. (CHUCKLES) Hey. 02:40.515 --> 02:41.641 TAYE: Oh! (GRUNTS) 02:41.724 --> 02:44.435 -It's okay. Just let it settle. -Ooh. Yeah. 02:45.270 --> 02:47.188 -How are you? -Oh, good. I'm well. 02:47.272 --> 02:49.065 NED: Great. That's Cornelius over there. 02:49.148 --> 02:50.483 -Okay. -Hello, Taye. 02:50.567 --> 02:52.777 -I like that sport coat. -Oh, thank you, my friend. 02:52.861 --> 02:54.612 -TAYE: You're welcome. Sharp. -Thanks. 02:54.696 --> 02:58.783 And make sure you keep your hands and fingers to yourself 'cause that's a Clod. 02:58.867 --> 03:00.076 Oh. Okay. Sorry. 'Sup, guy? 03:00.159 --> 03:02.996 Speaking of keeping your hands and fingers inside at all times... 03:03.079 --> 03:04.455 Let's get to the important thing. 03:04.539 --> 03:05.540 -Please. -NED: You! 03:05.623 --> 03:07.458 -Yes! -Got your start as a dancer. 03:07.542 --> 03:10.712 Yeah. I was considered back in my younger years as a song and... 03:10.795 --> 03:12.547 -A song and dance man. -NED: Whoa! 03:12.630 --> 03:13.965 What does that even mean? 03:14.048 --> 03:15.758 (LAUGHING) 03:15.842 --> 03:16.926 I like you, man. 03:17.010 --> 03:18.761 Thank you! I like you, too, Taye. 03:18.845 --> 03:22.473 Taye, I know we just started and this might be a little too much 03:22.557 --> 03:24.017 -for me to ask but... -Hit me. 03:24.100 --> 03:26.269 -Could we see a little dance? -Sure. How about this? 03:26.352 --> 03:27.478 All right. Let me see. 03:27.562 --> 03:28.897 This is called "The Wave." 03:29.272 --> 03:30.565 (DUBSTEP MUSIC PLAYING) 03:30.648 --> 03:33.234 How about that? You see how the wave goes through my body? 03:33.318 --> 03:35.195 -NED: Let me try. -You're made out of rubber. 03:35.278 --> 03:36.487 You got a lot of arms. 03:36.571 --> 03:38.656 -I'm gonna pass it to you. -I'm receiving. 03:38.740 --> 03:41.284 -There we go. That's intergalactic. -I'm doing this. 03:41.367 --> 03:42.619 -NED: Whoo! -(MUSIC STOPS) 03:43.119 --> 03:44.996 -Yeah! -Yeah. I love it. 03:45.079 --> 03:48.666 And that's how you got Rent? Is that how that worked? 03:48.750 --> 03:50.793 Give us the guy with the moves. 03:50.877 --> 03:52.420 (LAUGHING) 03:54.047 --> 03:57.342 -What kind of moves, man? -I don't know. The moves you just did. 03:57.425 --> 04:00.511 In Rent I didn't dance that much. It was mostly singin' and acting. 04:00.595 --> 04:02.680 -So, you do it all? -I try. I try. 04:02.805 --> 04:05.808 -You're what they call a multi... -Talented? 04:05.892 --> 04:08.311 -Well, I was... Okay, fine. Sure. -Racial? No? What? 04:08.394 --> 04:09.520 -Threat! -Faceted? Yeah? 04:09.604 --> 04:11.147 -Yeah. -That'll work. 04:11.231 --> 04:14.234 Hey, did the kids from Rent grow up and star in a sequel called Mortgage? 04:14.317 --> 04:17.362 No. Not that I know of. But I like that idea. 04:17.445 --> 04:19.239 They're grown up and they got new troubles. 04:19.322 --> 04:22.075 -Let's trademark that. -Don't encourage him, Taye. 04:22.158 --> 04:23.785 I've never seen Rent, so... 04:23.868 --> 04:26.579 -It's a great idea though. Mortgage. -It's all right. 04:26.663 --> 04:28.790 -Have you always loved musical theater? -Mortgage. 04:28.873 --> 04:31.918 I have. I have. Yeah, some people don't get it. 04:32.001 --> 04:35.838 Some people don't kind of like the idea that people just break into song. 04:35.922 --> 04:39.217 (SINGING) Some people just break into song for no really reason 04:39.300 --> 04:41.928 -Exactly, yes! You get it. -Yeah, I can do that. 04:42.011 --> 04:44.138 But people don't do that in real life. 04:44.222 --> 04:46.266 -Well, I do. -Oh, okay. 04:46.349 --> 04:47.850 And apparently Ned does, too. 04:47.934 --> 04:50.228 Wait a minute. You break into song in real life? 04:50.311 --> 04:51.729 -I do. I do. -NED: Really? 04:51.813 --> 04:54.524 Do you think you could show us that now without singing a song 04:54.607 --> 04:56.442 that we'd have to have lawyers involved with? 04:56.526 --> 04:59.904 -No. I'm not gonna do that now. -Oh. Bummer. 04:59.988 --> 05:01.698 You spoiled it. I wanted to surprise you. 05:01.781 --> 05:04.033 Okay. Well, I'll tell you what. I'm gonna let... 05:04.117 --> 05:05.618 (SINGING) Am I surprising you now? 05:05.702 --> 05:07.704 -I gotcha! -Yeah. 05:07.787 --> 05:11.666 (SINGING) Cornelius look what he did He sang a song but he tricked me 05:11.749 --> 05:13.793 I did. Yeah. But that's all. 05:13.877 --> 05:15.003 -Frank. -No more singing. 05:15.086 --> 05:16.504 (SINGING) I surprised you again 05:16.588 --> 05:19.090 -You got that! -You did it again. You did it again. 05:19.173 --> 05:20.466 That's twice, Cornelius. 05:20.550 --> 05:22.594 Don't sleep on him. Never know what will happen. 05:22.677 --> 05:24.387 Fool me once, shame on you. 05:24.470 --> 05:26.723 -Fool me twice, shame on... -I like it. 05:27.348 --> 05:29.350 -That's okay. I get it. -Me? 05:29.434 --> 05:30.894 You shamed all over yourself, sir. 05:30.977 --> 05:32.103 -Taye! -Yes! 05:32.186 --> 05:35.190 All right. Let's talk about harmonies. 05:35.273 --> 05:39.402 Because I hear that that's a very important part of musicals. 05:39.485 --> 05:41.905 -It can be. Yes, yes. -Teach me this. 05:41.988 --> 05:45.909 Give me a sound and just kind of say something constant on your breath 05:45.992 --> 05:48.161 and keep it in one area of your voice. 05:48.244 --> 05:51.331 -How about I just do your name? -So, go Taye. 05:51.414 --> 05:53.166 -(SINGING) Taye -Mmm, Taye 05:53.249 --> 05:54.250 Again. 05:54.334 --> 05:56.628 -Okay. You're criticizing. -Nope. 05:56.711 --> 05:58.630 I'm doing it so I can harmonize with you. 05:58.713 --> 06:01.466 -(SINGING) Taye -(IN HIGH-PITCH) Taye 06:01.549 --> 06:02.550 (NORMAL VOICE) And off. 06:02.634 --> 06:06.387 -Nice! Well done! -Whoa! Lights, lights, lights, lights! 06:06.471 --> 06:07.889 Yes. Broadway, look out! 06:07.972 --> 06:11.059 -I harmonized with Taye Diggs. -First time. That's brilliant! 06:11.142 --> 06:12.810 -You did. -I've worked with people 06:12.894 --> 06:14.520 -that aren't as good as you. -Really? 06:14.604 --> 06:16.022 You could teach them a few things. 06:16.105 --> 06:18.483 -Can you name them? -Fill out a form stating that? 06:18.566 --> 06:19.943 -Absolutely. Yeah? -NED: Hey, Taye! 06:20.026 --> 06:21.319 You wanna shake things up? 06:21.402 --> 06:23.530 -Please. I love games. -You wanna play a game? 06:23.613 --> 06:25.740 A game called Which Thing Is Which Thing? 06:25.823 --> 06:27.450 TAYE: Okay. 06:27.575 --> 06:31.788 Lights! Lights! Lights! Okay. 06:31.871 --> 06:33.748 -Yes. Yes. -NED: Taye, here is the deal. 06:33.831 --> 06:37.293 I'm gonna give you this paddle. There you go. Take it. Okay. 06:37.377 --> 06:38.378 Here we go. 06:38.461 --> 06:42.048 On one side, it says "musical" and the other side says "cereal." 06:42.131 --> 06:43.424 -So, here's what happens. -Yes. 06:43.508 --> 06:45.677 I'm gonna tell you some names 06:45.760 --> 06:49.180 that are either real titles of musicals from the 1930s, 06:49.264 --> 06:52.100 -or discontinued cereals. -Okay. Oh. 06:52.183 --> 06:53.434 -Got it. -NED: Ready to play? 06:53.518 --> 06:55.186 -Let's do it. -All right. Here we go. 06:55.270 --> 06:57.480 Golden Dawn. 06:57.564 --> 06:59.482 A musical or a cereal? 07:00.149 --> 07:01.150 I'm gonna say musical. 07:01.234 --> 07:02.485 -You are correct, Taye. -Yes! 07:02.569 --> 07:04.320 -CORNELIUS: There it is. -Golden Dawn. 07:04.404 --> 07:05.738 -Strong start. -NED: Here it is. 07:05.822 --> 07:07.949 Peach O'Reno. 07:08.408 --> 07:10.410 Peach O'Reno. I'm gonna say cereal. 07:10.493 --> 07:12.245 -You are wrong, Taye. -(GASPS) 07:12.328 --> 07:13.496 -I'm sorry. -(BUZZER SOUND) 07:13.580 --> 07:15.665 I had to give, and I have to take. 07:15.748 --> 07:16.791 And I took. 07:16.875 --> 07:18.334 Repeat that again. Peach O'Reno? 07:18.418 --> 07:20.503 Peach O'Reno. 07:20.587 --> 07:22.005 -Ooh, that was a good one. -Yeah. 07:22.088 --> 07:23.464 '30s musicals make me hungry. 07:23.548 --> 07:25.383 -Yeah. (LAUGHS) -That's right. Yeah. 07:25.550 --> 07:26.634 NED: Here we go, Taye. 07:27.093 --> 07:28.177 Now you'll have to focus. 07:29.762 --> 07:32.473 Grins & Smiles & Giggles & Laughs. 07:33.433 --> 07:36.895 I feel like that would... That would be a long name for both of them. 07:36.978 --> 07:38.980 -Yeah. -Uh, I'm gonna say musical. 07:39.689 --> 07:41.274 -Sorry, it's a cereal. -(BUZZER SOUND) 07:41.357 --> 07:42.358 That's a cereal? 07:42.442 --> 07:44.569 By the way, I happen to know they cut that down. 07:44.652 --> 07:47.155 It used to be much longer. It was Grins & Smiles 07:47.238 --> 07:49.991 & Giggles & Laughs & Tickles &... All kinds of stuff. 07:50.992 --> 07:54.078 And the manufacturer said, "Hey, we need a bigger box." 07:54.162 --> 07:55.163 (LAUGHING) Got it. Got it. 07:55.246 --> 07:58.082 So, here we go. Circus Fun. 07:58.875 --> 08:01.252 Circus Fun. That's definitely a musical. 08:01.336 --> 08:03.755 -That's definitely a cereal. -Argh! 08:03.838 --> 08:05.632 Wow, you are lousy at this. 08:05.715 --> 08:07.008 I really am. 08:07.091 --> 08:09.219 -Oh, well. -I'm not good at this game. 08:09.302 --> 08:11.679 You can keep the paddle and we have a lovely parting gift. 08:11.763 --> 08:12.764 Thank you. What is that? 08:12.847 --> 08:14.474 We don't have a lovely parting gift. 08:15.016 --> 08:17.435 -Okay. -But if I ever do find Grins & Smiles 08:17.518 --> 08:19.938 & Giggles & Laughs, we're sending you a whole box. 08:20.021 --> 08:21.606 Please. Yes. Send me a few boxes. 08:21.689 --> 08:23.691 All right, stand up and we're gonna beam you out. 08:23.775 --> 08:25.818 -I can keep the paddle, right? -If you want. 08:25.902 --> 08:26.945 You better. Yeah. 08:27.028 --> 08:28.821 -Ready now. Strike a pose. -Right. Yes. 08:29.531 --> 08:31.366 NED: Oh, that's good. CORNELIUS: Ooh! Yeah. 08:31.449 --> 08:34.285 I beamed a beam of time gone beam. 08:35.286 --> 08:37.539 -Oh. Cornelius? -Yeah. 08:37.622 --> 08:39.749 The lousiest player of a game I've ever had. 08:39.832 --> 08:41.167 Clearly not his forte. 08:41.251 --> 08:42.669 But I liked him very much. 08:42.752 --> 08:44.587 Yeah, he's a real pile of handsome. 08:45.630 --> 08:48.007 All right. This is ridiculous. 08:48.091 --> 08:49.384 What're you talking about? 08:49.467 --> 08:52.011 You are halfway through a show about musicals 08:52.095 --> 08:54.806 and you haven't had a big dance number yet? 08:54.889 --> 08:56.474 We danced the first song. 08:56.558 --> 08:58.977 (SINGING) It was just the monologue 08:59.060 --> 09:01.646 That's not what I'm talking about. Hit it! 09:02.689 --> 09:04.107 (JAZZ MUSIC PLAYING) 09:04.649 --> 09:08.653 B.E.T.I.: (SINGING) Cloddy bodies get a feeling 09:10.029 --> 09:14.701 When they move inside the beam 09:15.410 --> 09:17.704 -Some call it dancin' -(CLODS VOCALIZING) 09:18.371 --> 09:20.415 I'd say that's stretching 09:21.457 --> 09:25.670 Either way, the Clods all scream 09:27.338 --> 09:32.302 ALL: We're gonna Beam Bounce Beam Bounce tonight 09:32.385 --> 09:33.845 First there's a tentacle flip 09:35.054 --> 09:37.724 And stretch your neck to the sky 09:37.807 --> 09:39.392 Then you lean to your left 09:40.894 --> 09:43.396 -ALL: Now it's time to slide -(NED CHUCKLES) 09:43.688 --> 09:48.318 But it's the piston pushing that makes it all outta sight 09:49.903 --> 09:54.574 ALL: We're gonna Beam Bounce Beam Bounce tonight 09:55.533 --> 10:00.705 We're gonna Beam Bounce Beam Bounce tonight 10:01.581 --> 10:03.249 -Wow! -(CLODS CHEERING) 10:03.416 --> 10:04.500 I still don't get it. 10:04.584 --> 10:06.211 What? After all that? 10:06.294 --> 10:10.423 Yeah, it all seems kinda weird and unnecessary to me. 10:10.506 --> 10:11.841 (CLODS GROANING) 10:11.925 --> 10:12.926 NED: Bye, guys. 10:14.177 --> 10:15.303 Thanks for coming. 10:16.471 --> 10:20.225 Cornelius, I'm tired of you pooping on this party. 10:20.308 --> 10:22.644 You go get your attitude adjusted, Cornelius. 10:22.727 --> 10:23.853 What does that even mean? 10:23.937 --> 10:24.938 Beam. 10:26.314 --> 10:28.691 (BOTH VOCALIZING) 10:28.775 --> 10:30.443 (OLIVIA RODRIGO CHUCKLES) 10:30.527 --> 10:31.611 Oh! 10:31.694 --> 10:34.072 Hey. You're Olivia Rodrigo and Joshua Bassett 10:34.155 --> 10:36.241 from High School Musical: The Musical: The Series. 10:36.324 --> 10:37.325 Yeah, we are. 10:37.408 --> 10:39.869 I've been beamed here to learn to love musical numbers. 10:39.953 --> 10:41.663 And I am not happy about it. 10:41.746 --> 10:43.831 It's not too hard, really. Actually it's kinda fun. 10:43.915 --> 10:45.917 The key to writing a really meaningful song 10:46.000 --> 10:48.086 is to just sing from your heart. 10:48.169 --> 10:51.548 Yeah. Think about how you're feeling right now and try to sing about it. 10:51.631 --> 10:54.342 That sounds easy enough. All right. I'll give it a shot. 10:54.425 --> 10:55.426 (CLEARS THROAT) 10:55.593 --> 10:56.594 Um... 10:56.678 --> 11:00.723 (SINGS OFF-KEY) Backstage at a TV set with Olivia and Joshua 11:00.807 --> 11:04.435 My arm is asleep and my coat smells bad 11:06.938 --> 11:07.939 Um... 11:08.064 --> 11:09.774 Let me try it again. (CLEARS THROAT) 11:09.858 --> 11:12.026 (RAPPING) My name is Corny and I like to rap 11:12.110 --> 11:16.948 I'm here right now and my coat smells bad 11:18.366 --> 11:21.119 Well, is that really what you wanna sing about? Your coat? 11:21.202 --> 11:23.788 Guess not. I don't know. You're the experts. 11:23.872 --> 11:26.332 What are you thinking? What's happening inside of you? 11:26.416 --> 11:29.752 Well, I've got a really bad gas bubble in my second stomach from the beam. 11:29.836 --> 11:31.170 Oh, and my coat smells... 11:31.254 --> 11:33.673 Yeah, we got it. It smells bad. (CHUCKLES) 11:33.756 --> 11:38.303 Here, take this notebook and write about the things that are really bothering you. 11:38.386 --> 11:40.346 Yeah, all the things that really make you feel. 11:40.430 --> 11:43.474 I think I can do that. Smell you later. 11:45.643 --> 11:47.520 -His coat really did smell. Hmm. -Yeah. 11:48.146 --> 11:49.564 (GRUNTS) 11:50.231 --> 11:51.232 Sir? 11:51.316 --> 11:53.276 (SHUSHES) We're in the middle of something. 11:53.359 --> 11:54.652 (HIP-HOP BEAT PLAYING) 11:55.403 --> 11:57.071 (CLODS RAPPING INDISTINCTLY) 12:06.206 --> 12:09.125 -Sir, I wanted to... -Please. These tickets cost me a fortune. 12:09.250 --> 12:10.543 Huh? 12:10.627 --> 12:12.378 (CLODS CONTINUE RAPPING) 12:14.589 --> 12:15.924 And B.E.T.I. 12:16.466 --> 12:17.467 (MUSIC STOPS) 12:17.550 --> 12:20.261 -Bravo! Amazing! I loved it. -(AUDIENCE CHEERING) 12:20.345 --> 12:21.346 (CLODS CHITTERING) 12:21.930 --> 12:22.931 And I learned something. 12:23.014 --> 12:24.098 What did you learn? 12:24.182 --> 12:25.475 B.E.T.I. was there too. 12:25.558 --> 12:27.602 -Okay. -Now bring out our next guest. 12:27.685 --> 12:28.853 Yes. Our next guest... 12:28.937 --> 12:30.396 No, no, no. Sing it. 12:31.397 --> 12:32.398 Oh. 12:32.482 --> 12:33.608 (SOFT PIANO MUSIC PLAYING) 12:34.359 --> 12:35.401 CORNELIUS: Uh... 12:35.902 --> 12:37.153 Uh... 12:37.237 --> 12:38.738 -I just can't, sir! -(MUSIC STOPS) 12:38.821 --> 12:41.074 Still? All right. Thanks anyway, Frank. 12:41.157 --> 12:42.158 (FRANK CLOD GRUMBLES) 12:42.367 --> 12:44.077 Watch your mouth. (GRUNTS) 12:44.536 --> 12:47.789 Our next guest is the co-creator and star of the musical TV show 12:47.872 --> 12:50.833 Crazy Ex-Girlfriend, Rachel Bloom! 12:50.917 --> 12:52.126 (NED LAUGHING) 12:52.585 --> 12:53.878 -Oh, that was great. -Hi. 12:53.962 --> 12:56.506 -Hi. -You don't seem surprised at all. 12:56.589 --> 12:59.008 I should be more surprised because, you know, 12:59.092 --> 13:01.678 I'm finding out extra-terrestrial life exists... 13:01.761 --> 13:03.638 -Yeah. -That there's a ship under the Earth 13:03.721 --> 13:05.515 and you have beaming technology, 13:05.598 --> 13:07.058 but I'm just so delighted. 13:07.141 --> 13:10.562 I think that... I think that the horror will come into play later 13:10.645 --> 13:12.605 and I'll probably need therapy after this. 13:12.689 --> 13:13.982 No, no, no, no, no, no, no! 13:14.065 --> 13:15.441 -Okay. -Maybe. 13:15.525 --> 13:17.610 Here's what I'm gonna do. I'm gonna sing to you. 13:17.694 --> 13:18.695 Okay. 13:18.778 --> 13:23.199 (SINGING) Welcome to my show, Rachel Bloom 13:23.283 --> 13:24.450 What do you think of that? 13:24.534 --> 13:27.871 That was really beautiful, because it came from the heart. 13:27.954 --> 13:31.165 It did. I call myself an alto with a baritone rising. 13:31.249 --> 13:32.542 (LAUGHING) 13:33.209 --> 13:34.878 Yeah, I mean, you skipped tenor there. 13:34.961 --> 13:36.880 -Yeah. -Does music work the same... 13:36.963 --> 13:39.173 Music is kind of universal, right? We have... 13:39.257 --> 13:40.383 -No. -No? It's not? 13:40.466 --> 13:41.843 -No. No. No. -Okay. 13:41.926 --> 13:43.553 -Let me stop you there. -RACHEL: Okay. 13:43.636 --> 13:46.639 No. We have no forms of art where I come from. 13:46.723 --> 13:50.894 No music, no art, no lacrosse, nothing. 13:50.977 --> 13:53.438 But there are these kind of universal 12 tones, 13:53.521 --> 13:55.398 so even if there isn't music, you have like... 13:55.481 --> 13:57.692 (VOCALIZING NOTES) 13:57.942 --> 13:59.027 That's kinda music, right? 13:59.110 --> 14:00.987 I think you just summoned another species. 14:01.070 --> 14:03.364 -Oh, my gosh, I'm so sorry! -Think you called a cab. 14:03.448 --> 14:04.532 What is that you're doing? 14:04.616 --> 14:06.743 What do you mean, there are 12 tones? Explain. 14:06.826 --> 14:09.078 There are just only so many notes that can exist. 14:09.162 --> 14:12.790 Like, there are only so many colors that the human eye can see, 14:12.874 --> 14:16.711 there are only so many tones, I think, that we can hear. 14:16.794 --> 14:18.046 -Really? -Maybe you could hear 14:18.129 --> 14:20.256 -even more tones than I could. -Yeah, of course. 14:20.340 --> 14:22.300 But for me, there's... There are 12 notes. 14:22.383 --> 14:23.760 You're so sadly limited. 14:23.843 --> 14:25.220 B.E.T.I., that's 12 notes? 14:25.303 --> 14:26.846 -That is correct. -Thank you so much. 14:26.930 --> 14:29.265 Hey, you went to musical theater school? 14:29.349 --> 14:31.142 -I did. -What was that like? 14:31.226 --> 14:34.854 It was a mixed experience. You know, when you wanted to go into theater, 14:34.938 --> 14:37.148 musical theater, you didn't go to college for it, 14:37.232 --> 14:42.403 you just kinda started doing it and now the whole system is, 14:42.487 --> 14:46.866 you theoretically go to college for it and it's become very institutionalized, 14:46.950 --> 14:50.161 which is good, because you learn techniques of how to make art, 14:50.245 --> 14:55.375 but it can get a little, um... formulaic sometimes. 14:55.458 --> 14:56.459 NED: Ah! 14:56.543 --> 14:59.837 So, you're saying "formulaic." 14:59.921 --> 15:03.758 Exactly. So, there becomes a certain way of, well, 15:03.841 --> 15:06.261 this is how the girls sing, this is how the boys sing, 15:06.344 --> 15:08.638 this is how you dance, this is how you smile... 15:08.972 --> 15:10.974 -Mmm. -That starts to feel sometimes... 15:11.057 --> 15:12.725 -Formulaic. -Formulaic. 15:12.809 --> 15:17.063 Like there's no... This is the way it's done so, behave. 15:17.146 --> 15:21.651 Exactly. It sometimes gets difficult to be who you are 15:21.734 --> 15:25.446 and reconcile that with the parts that you're trying to fit yourself into. 15:25.530 --> 15:27.490 Tell you what, let's try to improvise a song 15:27.574 --> 15:32.954 and we'll keep going back and forth until it's over. Okay? 15:33.037 --> 15:34.163 Until the world explodes. 15:34.247 --> 15:35.498 That could happen soon. 15:35.582 --> 15:37.792 Could be way sooner than you think. All right. 15:37.876 --> 15:40.086 So, let's get a topic. Cornelius, give us a topic. 15:40.169 --> 15:41.170 Oh, um... 15:41.754 --> 15:43.506 Cooking for our mother. 15:44.549 --> 15:48.970 (SINGING) Mom, I made you lasagna I hope you eat it 15:49.679 --> 15:53.266 Because it was made with love 15:53.349 --> 15:56.895 In the oven of my soul 15:56.978 --> 15:58.605 And you're old 15:58.688 --> 16:01.566 And I'm worried about your health because... 16:01.649 --> 16:02.650 (WHISPERS) Go. 16:02.734 --> 16:07.280 (SINGING) So I think that this lasagna will make you better 16:07.363 --> 16:10.783 And it's real lasagna Not imaginary lasagna 16:10.867 --> 16:12.785 Mom, I made you... 16:12.869 --> 16:14.621 Aren't musicals supposed to rhyme? 16:14.704 --> 16:17.457 You know what, B.E.T.I.? That is so formulaic. 16:17.540 --> 16:19.167 -You just learned that word. -What he said. 16:19.250 --> 16:21.044 -Nuh-uh. -Yeah-huh. 16:21.127 --> 16:23.087 -Uh-uh. -Uh-huh. 16:23.171 --> 16:27.842 Hey, you made a hit TV series called Crazy Ex-Girlfriend. Was it fun? 16:27.926 --> 16:30.720 It was very fun. It was incredibly gratifying. 16:30.803 --> 16:34.724 Were you guys always pulling pranks on the set all the time? 16:34.807 --> 16:35.892 (LAUGHING) 16:35.975 --> 16:39.187 I hate that question. That's the one question I really do hate. 16:39.270 --> 16:40.271 Uh-oh. 16:40.355 --> 16:41.648 How can I explain? 16:44.025 --> 16:48.780 (SINGING) No one likes on-set pranks Not Jada Pinkett Smith or Tom Hanks 16:48.863 --> 16:53.243 I don't mean to get defensive but every take is expensive 16:53.326 --> 16:58.248 No one likes on-set pranks Not Liam Neeson or Elizabeth Banks 16:58.998 --> 17:00.542 Everybody's there to work 17:00.625 --> 17:03.503 If you brought a whoopee cushion you're a jerk 17:03.586 --> 17:07.715 A lawyer wouldn't light a stink bomb in the middle of court, right? 17:07.799 --> 17:08.800 No! 17:08.883 --> 17:12.720 A beekeeper wouldn't prank call her bees 17:12.804 --> 17:17.308 A baker doesn't put shaving cream inside a chocolate torte 17:17.392 --> 17:22.105 I'm serious so I'm changin' keys 17:22.188 --> 17:24.023 No one likes on-set pranks 17:24.482 --> 17:27.569 Not Nic Cages or Hilary Swanks 17:27.652 --> 17:29.571 -Ask me about my process -(CLODS VOCALIZING) 17:29.654 --> 17:35.743 Or how much I can bench-press Or what I think of Congress 17:35.827 --> 17:39.247 -But don't ask me about pranks -CLODS: Pranks! 17:39.330 --> 17:42.625 So, no questions about on-set pranks. 17:42.709 --> 17:43.710 No! 17:43.793 --> 17:46.421 All right, stand up, Rachel Bloom. Thank you so much for coming. 17:46.504 --> 17:48.339 -Time to beam you away. -Okay. 17:48.423 --> 17:50.425 Strike any sort of pose that you like. 17:51.050 --> 17:52.260 -(SIGHS) -CORNELIUS: Wow. 17:52.343 --> 17:54.470 Beam the Impossible Beam, beam! 17:55.430 --> 17:56.514 -Oh. -CORNELIUS: Yeah. 17:56.598 --> 17:59.893 Cornelius, she just burst into song outta nowhere. 17:59.976 --> 18:02.312 Yeah. Looks like a Broadway baby. 18:02.395 --> 18:06.316 Well, I guess that's our show. Thank you to Taye Diggs and Rachel Bloom. 18:06.399 --> 18:07.901 -CORNELIUS: Wait! -Yes? 18:07.984 --> 18:09.485 I have something to say. 18:09.569 --> 18:10.778 So, say it. 18:11.321 --> 18:13.406 Well, I'm gonna need accompaniment. 18:13.990 --> 18:16.367 Oh, my Glorp! He's going to sing! 18:16.492 --> 18:17.869 (SOFT PIANO MUSIC PLAYING) 18:23.791 --> 18:27.462 (SINGING) I thought music was for other people 18:27.545 --> 18:29.797 It isn't what I do 18:30.965 --> 18:36.888 I'm not much for showing off I'm just part of the crew 18:36.971 --> 18:43.186 But if everyone has songs inside them I must have one too 18:43.269 --> 18:48.942 I'm ready for my song 18:50.151 --> 18:55.573 I won't get it perfect It's not like navigating space 18:56.574 --> 19:02.539 You can't read a map to make sounds come out of your face 19:02.622 --> 19:08.836 I'll try to find my notes as I try to find my place 19:08.920 --> 19:14.342 I'm ready for my song 19:14.926 --> 19:21.224 And if someone out there hears it and finds the melody 19:22.183 --> 19:27.814 Maybe there will be more folks like me adding harmony 19:28.314 --> 19:30.608 -(CLODS VOCALIZING) -I don't know where I'm landing 19:30.692 --> 19:34.487 But I know it's time to fall 19:34.571 --> 19:40.326 I'm ready for my song 19:40.410 --> 19:47.041 Sir, I'm ready for my song 19:49.919 --> 19:52.422 Wow. That was beautiful! 19:53.339 --> 19:54.966 It was a little long. 19:55.550 --> 19:57.468 Well, I mean, yeah, you gotta learn to edit. 19:57.552 --> 20:00.221 It's about the notes you don't sing. 20:00.305 --> 20:01.723 True. But I loved it. 20:01.806 --> 20:03.892 -Really? -NED: Absolutely! 20:03.975 --> 20:05.184 Wanna say goodnight? 20:05.268 --> 20:07.437 Wow. I've never done the goodnight before. 20:07.520 --> 20:10.148 You know what? You're right. Enough firsts for one night. 20:10.231 --> 20:11.441 (SIGHS) 20:11.524 --> 20:13.026 Goodnight, everybody! 20:18.573 --> 20:20.491 (PIANO MUSIC PLAYING) 20:23.745 --> 20:30.043 The Earth is still spinning We didn't invade 20:31.336 --> 20:37.008 We'll get to it later Maybe Tuesday 20:37.091 --> 20:40.720 -(CLODS VOCALIZING) -But in the meantime I'm singing 20:40.803 --> 20:44.390 It feels too right to be wrong 20:44.474 --> 20:47.852 -Welcome to the video-log -CLODS:Video-log 20:47.936 --> 20:51.606 -This was just a video-log -Video-log 20:51.689 --> 20:53.233 Now I've done 20:53.316 --> 20:59.697 -The video-log song -Video-log song 21:04.661 --> 21:06.246 (LAUGHS)